On this night I wanna swear
I will always be there by your side
This I promise you babe
That I will always treat you right
Cuz so many men i know
You’re the one taht I love so true
Every little thing you did to me
Nobody else can do
I do I do I do I do I do... love you
I do I do I do I do I do... need you
I do I do I do I do I do... think about you
There’s nothing that I want, but You...
Don’t keep the problem inside
Just tell me and we’ll try to fix it up
We’re gonna go thru this together
I’ll be there for you anytime you want
Rabu, 20 Oktober 2010
ten2five - i do
ten2five - i wil fly
You know all the things i’ve said
You know all the things that we have done
And things i gave to you
There’s a chance for me to say
How precious you are in my life
And you know that it’s true
To be with you is all that i need
Cause with you, my life seems brighter and these are all the things
I wanna say...
I will fly into your arms
And be with you
Til the end of time
Why are you so far away
You know it’s very hard for me
To get myself close to you
You’re the reason why i stay
You’re the one who cannot believe
Our Love will never end
Is it only in my dream?
You’re the one who cannot see this
How can you be so blind?
I will fly into your arms
And be with you
Til the end of time
Why are you so far away
You know it’s very hard for me
To get myself close to you
I wanna get
I wanna get
I wanna get myself close to you
secondhand - fall for you
The best thing about tonight’s that we’re not fighting
Could it be that we have been this way before
I know you don’t think that I am trying
I know you’re wearing thin down to the core
But hold your breath
Because tonight will be the night that I will fall for you
Over again
Don’t make me change my mind
Or I wont live to see another day
I swear it’s true
Because a girl like you is impossible to find
You’re impossible to find
This is not what I intended
I always swore to you I’d never fall apart
You always thought that I was stronger
I may have failed
But I have loved you from the start
Oh
But hold your breath
Because tonight will be the night that I will fall for you
Over again
Don’t make me change my mind
Or I wont live to see another day
I swear it’s true
Because a girl like you is impossible to find
It’s impossible
So breathe in so deep
Breathe me in
I’m yours to keep
And hold onto your words
Cause talk is cheap
And remember me tonight
When your asleep
Because tonight will be the night that I will fall for you
Over again
Don’t make me change my mind
Or I wont live to see another day
I swear it’s true
Because a girl like you is impossible to find
Tonight will be the night that I will fall for you
Over again
Don’t make me change my mind
Or I wont live to see another day
I swear it’s true
Because a girl like you is impossible to find
You’re impossible to find
secondhand - your call
Stripped and polished, I am new, I am fresh
I am feeling so ambitious
You and me, flesh to flesh
’Cause every breath that you will take
When you are sitting next to me
Will bring life into my deepest hopes, what’s your fantasy?
What’s your, what’s your
I was born to tell you I love you
And I am torn to do what I have to
To make you mine, stay with me tonight
And I’m tired of being all alone
And this solitary moment makes me want to come back home
And I’m tired of being all alone
And this solitary moment makes me want to come back home
And I’m tired of being all alone
And this solitary moment makes me want to come back home
And I’m tired of being all alone
And this solitary moment makes me want to come back home
I was born to tell you I love you
And I am torn to do what I have to
I was born to tell you I love you
And I am torn to do what I have to, to make you mine
Stay with me tonight
Selasa, 17 Agustus 2010
ye . .
my new school
"SMK FARMASI BUMI SILIWANGI"
have new friend
have new teacher
have new building
have new uniform
:))
Kamis, 27 Mei 2010
lenka - show
I'm just a little bit caught in the middle
Life is a maze and love is a riddle
i don't know where to go, can't do it alone
I've tried, and i don't know why...
Slow it down, make it stop
Or else my heart is going to pop
'Cause it's too much, yeah it's a lot
To be something i'm not
I'm a fool out of love
'Cause i just can't get enough...
I'm just a little bit caught in the middle
Life is a maze and love is a riddle
i don't know where to go, can't do it alone
I've tried, and i don't know why
I'm just a little girl lost in the moment
I'm so scared but i don't show it
I can't figure it out, it's bringing me down
I know i've got to let it go...
And just enjoy the show
The sun is hot in the sky
Just like a giant spotlight
The people follow the signs
And synchronise in time
It's a joke, nobody knows
They've got a ticket to the show....
(i want my money back, just enjoy the show)
Life is a maze and love is a riddle
i don't know where to go, can't do it alone
I've tried, and i don't know why...
Slow it down, make it stop
Or else my heart is going to pop
'Cause it's too much, yeah it's a lot
To be something i'm not
I'm a fool out of love
'Cause i just can't get enough...
I'm just a little bit caught in the middle
Life is a maze and love is a riddle
i don't know where to go, can't do it alone
I've tried, and i don't know why
I'm just a little girl lost in the moment
I'm so scared but i don't show it
I can't figure it out, it's bringing me down
I know i've got to let it go...
And just enjoy the show
The sun is hot in the sky
Just like a giant spotlight
The people follow the signs
And synchronise in time
It's a joke, nobody knows
They've got a ticket to the show....
(i want my money back, just enjoy the show)
lenka - trouble is friend
Trouble will find you no mater where you go, oh oh.
No Matter if you're fast no matter if you're slow, oh oh.
The eye of the storm and the cry in the morn, oh oh.
Your fine for a while but then start to loose control.
Chorus 1:
He's there in the dark,
he's there in my heart,
he waits in the winds
he's gotta play a part.
Trouble is a friend,
yeah trouble is a friend of mine. oh oh!
Trouble is a friend but trouble is a foe, oh oh.
And no matter what I feed him he always seems to grow, oh oh.
He sees what I see and he knows what I know, oh oh.
So don't forget as you ease on down the road.
Chorus 1
Chorus 2:
So don't be alarmed if he takes you by the arm.
I won't let him win, but im a sucker for his charm.
Trouble is a friend,
yeah trouble is a friend of mine. Oh oh!
Oh how I hate the way he makes me feel.
And how I try to make him leave; I try.
Oh Oh I try!
Chorus 1
Chorus 2
Oh, Oh.
No Matter if you're fast no matter if you're slow, oh oh.
The eye of the storm and the cry in the morn, oh oh.
Your fine for a while but then start to loose control.
Chorus 1:
He's there in the dark,
he's there in my heart,
he waits in the winds
he's gotta play a part.
Trouble is a friend,
yeah trouble is a friend of mine. oh oh!
Trouble is a friend but trouble is a foe, oh oh.
And no matter what I feed him he always seems to grow, oh oh.
He sees what I see and he knows what I know, oh oh.
So don't forget as you ease on down the road.
Chorus 1
Chorus 2:
So don't be alarmed if he takes you by the arm.
I won't let him win, but im a sucker for his charm.
Trouble is a friend,
yeah trouble is a friend of mine. Oh oh!
Oh how I hate the way he makes me feel.
And how I try to make him leave; I try.
Oh Oh I try!
Chorus 1
Chorus 2
Oh, Oh.
Rabu, 19 Mei 2010
Selasa, 27 April 2010
prince of tennis - tezuka kunitmitsu
I have originally thought to write about various story telling and character design aspects of Prince of Tennis (see previous Post), but as I was rambling on, I realised I was writting a lot (I mean really a lot) about Tezuka. So, I’ve decided to snip out Tezuka specific sections and start another post just on Tezuka. So some parts are sort of fragmented since it was suppose to flow in the previous post.
I’m just writting whatever thoughts that happens to occur to me after finishing the anime and halfway through the manga. As such, there is no timeline and I do tend to jump around as I build connections between events as they occur to me. Mostly, I’ll be referring to anime version. I’m looking at story elements, what works, what doesn’t, what appeals and what disappoints. These are my personal opinions of the moment, not fact or intents of the mangaka, Konomi Takeshi. If it sounds fangirlish, well, it’s because I’m currently in Tezuka zone till further notice. *wink* But all said and done, I try to keep it objective and analytical.
This post is full of spoilers, so if you haven’t finished watching/reading Prince of Tennis, I suggest you stop now and come back later.
Tezuka Kunimitsu - 14 years old
Tezuka Kunimitsu is the captain of Seishun Gakuen (short Seigaku) Tennis Club. At the start of the story, he is the strongest player in Seigaku, stern and highly respected. He suffers from elbow and shoulder injury that continues to haunts him throughout the story. He is a 3rd year student, 14 years old, hardworking and good student (good enough to correct his teacher in class).
Throughout most of the series, we rarely see Tezuka play. And even when he plays, compared to the graceful style of Fuji, distinct signature styles of Echizen, Kaidou, Eiji and Kawamura, his style is plain, unflashy with good control and precision. But I couldn’t help notice that Tezuka’s gameplay tends to have elements of the other players. His game play changes according to circumstances, all be it subtly (compared to Echizen’s). He plays analytical strategist games (less extreme than Inui’s data tennis), endurance and stamina (Kaidou), power games (of Momoshiro, but not to the extent of Kawamura), mind games (Momoshiro / Oishi) and with skill and elegance (Fuji). I wouldn’t call Echizen’s gameplay elegant, more like a bulldozer getting the job done.
Perhaps it’s the contrast between the character’s direction of growth. As the story progresses, each member of the team grow steadily stronger, mastering or creating new moves. But Tezuka does not seem to be evolving at all. The story arcs merely show what he had lost to his injury and till the end, merely gaining back what he had lost. Does this mean that Tezuka has not changed at all since he was 12? That no one had challenged him far enough since to force him to grow?
Ochibi Tezuka Kunimitsu - 11 years old
I find it ironic that Fuji was accused of not really into the game with desire to win. That he did not care if he won or lost. You might say the same of Tezuka too. While Tezuka always play seriously, it seems, he plays not to win, but to grow his opponent. Like he wasn’t competitve with an all out desire not to lose, but with a more nurturing desire to understand and to bring a valuable lesson to his opponent. More coachlike than rival or enemy. It is in his subtlety that I find intriguing. And it is probably why, while he may have many rivals, he does not really have enemies. His rivals became respected friends; as in the case of Atobe, Tachibana, Echizen, Fuji, Yukimura and Sanada.
It amuses me to think of Tezuka as nurturing, which is normally associated with traits like warm, approachable, caring, friendly. The exterior everyday Tezuka is cold, unapproachable, unreadable, stern, authoritarian, disciplinarian. But he is nurturing in that he observes and he gives help where it is needed, not when it is asked. Sometimes, his help comes in really bitter draughts like his first match with Echizen where Echizen was utterly defeated, and his decision not to let Echizen play against the American team. Sometimes, help comes in a few succint words, like reaffirming Momoshiro that he is strong, but he can’t be strong without overcoming his fear of his leg injury. Sometimes it comes in the form of tough love, like pitting Atobe against Echizen to overcome his shock of a much stronger Sanada, pitting Eiji/Ootari against their partner gamemakers Oishi/Shishido to wean them off their over dependence. Sometimes, it is in the form of leading by example, when Oishi realizes Tezuka will sacrifice himself and do his best, despite his weakness for the sake of the team and his friends.
Something about Tezuka’s games have always bothered me. Since Tezuka rarely plays, as Inui would say, there is very little data to work from. Tezuka is supposed to be an all rounder like Echizen, yet in most of his games, his game play is pretty fixed, stable and unchanging. It seems like each tennis player character in the story evolve and changed either in skill, psychology, philosophy or physical fitness. Yet, Tezuka and Tachibana are the only ones that remain unchanging. By design or by accident, it seems Tezuka’s injury have been holding him back for 3 years.
Tezuka also seems to suffer the same problem as Fuji in terms of skill development. Both rarely get to play or challenged by difficult/good players. Tezuka’s lost matches are a lot more interesting than the matches he won. His character design is the perfect setup as the great adversary to be overcome by the great players, ie. Echizen, Fuji, Sanada, Atobe, Yukimura. While this makes Tezuka’s character a little too two-dimensional, the way the story is woven around the characters that plays against Tezuka gives depth to the plotline. But I admit, it creates a lack of depth to Tezuka’s character in comparison. This is what bothers me. Is it a problem of creating a character too perfect, that you can’t write a story around him? So much so, Tezuka’s injury is a tagged on crutch to make his character less than perfect.
Tezuka is identified as an all-rounder player. Yet his gameplay does not really match this. Most times he plays like a counter-puncher, letting Atobe and Sanada control the game. He even goes to the point of playing to the opponent strength or gameplay advantage, as in allowing Atobe to drag and prolong the match to his disadvantage. If Tezuka is as great a player as advertised, he could have changed the pace and strategy to counter Atobe. We are told he sacrificed himself for the sake of the team. I find that incongruous with the setting. While Atobe was a formidable opponent, he was not insurmountable. Also, Tezuka did not do anything to counter Atobe’s ploy to end the game quickly. What is worse, Tezuka purposely prolong the match, to the detriment of the team’s success. The risk and the noble sacrifice were unnecessary and Tezuka’s action did not actually help the team, but put them at greater risk in the Kantou Tournament, considering that Hyotei was their first opponent and there were still many more opponents they had to face. However, I speculate that Atobe’s realisation is closer to the mark. Tezuka was taking a great risk and a calculated one to push the team and wean them of their over-dependence and over-confidence in him. That adds unexpected depth and maturity to Tezuka’s character (14 going on 40), which makes me see him as more coach/mentor than player/competitor. I also speculate that Tezuka did this to test himself and measure his weakness before entering the Nationals tournament. Surely he would have doubted his fitness to perform and endure the gruelling matches in National Tournament. And having lost the match to Atobe, Tezuka found his answer and found himself wanting. Now that is subtle, clever and great story telling.
Tezuka only plays one doubles match, Tezuka-Inui against Shitenhoji’s Chitose-Zaizen. Here was an opportunity here to see Tezuka’s doubles dynamics, I was pleasantly surprised and looking forward to see. But the story turns this into an essentially singles match between Tezuka and Chitose. I find this rather disappointing and out of character for Tezuka’s personality design. Tezuka’s personality seems unlikely to disrespect the spirit of the game and in someway, disrespect Inui as a fellow team mate and partner. It also goes against Tezuka’s aim to build his team up to the best that they can be, just for a showdown. Then again, this is probably done to fit in the story template. In this instance, adhering closely to story template weakens the plotline.
Tezuka’s finals match against Sanada had been bothering me for a bit. I finally figured out why. It’s the internal story inconsistency. In an effort to counter Sanada’s Lightning, Tezuka unveiled a new move, Tezuka Phantom. Based on story theory, Tezuka Zone imposes a certain spin to the ball to make it bounce back to an area that can be easily covered by in one step. However, Tezuka Phantom forces the ball to fall out of bounds, away from the player. And to impose that kind of spin, it puts a greater load on the elbow/arm. Tezuka then had to keep hitting Tezuka Phantom balls because he can’t predict when Sanada will return with Lightning. What is wrong here? If Tezuka Phantom forces the ball out of bounds, it doesn’t matter if Sanada hits a Lightning or not. All Tezuka have to do is hit a Phantom and have the ball out of bounds on every return. Which means, Tezuka would have ended the rally within 2 (Tezuka serve) or 3 (Sanada serve) exchanges. Tezuka doesnt even have to care if Sanada hits a Lightning or not. As Inui would say, it’s illogical!
As long as I’m bitching about internal story consistency, if Tezuka Zone is created to by putting a powerful spin on the ball, then the counter for Fuji’s Tsubame Gaeshi would also nullify Tezuka Zone. Itsuki Marehiko hits sinkers (ball with no spin) to seal Tsubame Gaeshi. Surely someone of Sanada, Ryoma and Fuji’s caliber are also capable of hitting sinkers too. Which means, Tezuka Zone is probably easier to break than Tsubame Gaeshi because the spin has to go out and come back. In constrast, Tsubame Gaeshi only needs to go out. Besides, Tezuka Zone is a pretty ridiculous strategy. The objective of Tezuka Zone seems to be making the ball fall WITHIN the court. Why would anyone ‘help’ their opponents hit balls that will never go out? It has a cool name, but seriously, it needs to be a more logical and rational technique to keep in character with Tezuka’s vaunted reputation.
All in all, Tezuka’s tennis is graceful and well drawn without too much flashy moves. He appears to be a jack of all trades, master of none. Compared to Fuji, he appears to be lacking in originality as well, with only one original idea, Zero-shiki dropshot and serve. Tezuka Zone is based on Echizen Nanjirou’s technique. However, this lack strangely works in favour of the story. With a character like Tezuka, the lack of glitz in a story filled with fireworks and garishly flashy techniques makes him unique for most of the story line. Yes, sounds like we should be grateful for Tezuka’s injury preventing him from going that route. Yes, I love the fact that Zero-shiki dropshot looks deceptively mild and unflashy. Tezuka’s real strength appears to be his precision racket control and mental strength. By mental strength, I mean he doesn’t get goaded, lost his temper, gets shaken or distracted, disheartened or scared by whatever his opponent say or do. The Psych student in me says he’s got healthy self-esteem, self-efficacy and good mental stability.
Rivals are part of the character design in Prince of Tennis. Rivals allows the characters to interact, express emotions, gives motivation and someone they have to defeat. Most of the characters have rivals pairing. The most obvious being Momoshiro – Kaidou and Inui – Yanagi Renji. One sided rivals include Fuji Yuuta – Fuji Syuusuke, Echizen Ryoma – Echizen Nanjirou, Mizuki – Fuji Syuusuke, Atobe – Tezuka, Eiji – Oishi, Inui – Tezuka, Echizen – Tezuka, Kirihara – Sanada/Yukimura/Yanagi.
It’s interesting when a character breaks this pattern. The characters that do not pick or own a rival are Fuji Syuusuke, Yukimura Seiichi, Sanada Genichirou and Tezuka Kunimitsu. While they have one-sided rivalry from the other players, they don’t seem to have hangups on a particular person as rival. All four are generally acknowleged as top players of their time.
Like Sanada, Tezuka also keeps his own counsel close. Unlike players whose aim is to be better than someone else, Tezuka aims to be better than what his is. This lack of competitiveness makes him unique and not easily readable in terms of motives and desires. It is also what gives an veneer of arrogance to Tezuka’s demeanor. There is also another unique aspect of Tezuka that also comes into play in his games and actions/decisions. Tezuka also aims to make his opponent better than what he is. This lack of jealousy and inter-competitiveness makes him stand out among characters that are climbing over each other to declare themselves the best. This aspect of Tezuka’s personality is probably a development as part of his increasing responsibility as Seigaku’s Pillar of Support, vice-captain and captain. The brief glimpses of first year and younger Tezuka does not contain the mentor aspect of Tezuka. Even in the Fuji – Tezuka match in the first year flashback, Tezuka’s motivation was to find out just how good Fuji really was compared to himself. The final Fuji – Tezuka match finally shows the maturation of both characters.
Tezuka’s character is set up as the archetypal Mentor or Sage. He appears to have the foresight and wisdom of the Sage who can see into the future and see beneath the surface. He is cast into positions of intersections, taking the role of catalyst at the crisis or crucial points of other characters. He is also placed as the driver, another typical Mentor persona, propelling the main character, Echizen, and his other team mates into new direction and towards individual goals as well as team goal at key points of the plot.
Tezuka’s character on the surface may appear two dimensional and stiff. But by peeling the layers of Tezuka’s character, I find that it is superficial view. Tezuka’s character is deeper that it seems at first glance. It is with great pleasure that I delve into an enigmatic and subtle personality; and story telling of an intelligent character. In real life, people with Tezuka like characteristics, introverted and self-driven, are equally misunderstood and misrepresented. Most are deemed cold, aloof, uncaring, indifferent, arrogant, unapproachable.
msh d indramayu . .
waktu maen ke pantai ada lekukan tanah yg bentuknya hati . .
tanah itu tdk sengaja d temukan ketika hendak ke pantai ..
keren bgt ni tanah ..
:D
in indramayu . .. :)
Minggu, 18 April 2010
pencipta crayon shinchan meninggal
Yoshito Usui :
Yoshito Usui, pencipta komik Crayon Shinchan pada Minggu (20/9) dinyatakan tewas. Menurut laporan Kepolisian Prefektur Gunma, tubuh Usui ditemukan Sabtu (19/9) oleh seorang pendaki gunung sekitar 100 meter dibawah jurang, Gunung Arafune, antara Prefektur Gunma dan Nagano. Usui yang berumur 51 tahun dilaporkan hilang saat mendaki sendirian di gunung-gunung utara kota Tokyo. Pada hari Minggu, keluarga dan polisi mengkonfirmasikan bahwa tubuhnya telah ditemukan oleh pendaki lain. Polisi mengatakan tidak ada indikasi bunuh diri atau perbuatan jahat. Semua indikasi merujuk pada kecelakaan, terjatuh. 
Pihak berwenang menyisir area pegunungan yang berada di ketinggian 1.422 m di atas permukaan laut di perbatasan Prefektur Nagano-Gunma sejak Sabtu (12/9). Tapi, pencarian itu tak kunjung membuahkan hasil. Sabtu pagi (19/9), seorang pria mengatakan kepada Departemen Pemadam Kebakaran Kota Sakushi melihat tubuh tergeletak di jurang Tomoiwa di pegunungan Arafune.
Kepada stasiun televisi MBS, pria yang tak disebutkan namanya itu menyatakan bahwa lokasi ditemukannya jenazah bukan tempat yang bisa dijangkau manusia. Sebab, tebing yang diperkirakan sebagai lokasi jatuhnya Usui-sensei tak dilengkapi jalur pengaman untuk pendaki. Menurut Kepolisian Prefektur Gunma, jalur pengaman di jurang Tomoiwa cukup jauh dari sisi tebing sehingga tak mungkin ada orang yang jatuh.
Kantor berita Ata menyatakan bahwa polisi telah menemukan kamera Usui yang pecah dan memory card yang berisi foto menghadap ke bawah dari sebuah tebing yang curam. Saat ditemukan, jenazah itu tertelungkup dengan beberapa tulang yang patah menyembul keluar. Ditilik dari kondisinya, jenazah itu sudah tergeletak di jurang Tomoiwa, Arafune, selama beberapa hari.
Selain itu, didekat tubuh Usui juga ditemukan kamera digital, tas ransel berisi telepon genggam dan dompet, serta sepasang sepatu. Diperkirakan, Usui sedang memfoto objek di bawah tebing sehingga ia terpleset kemudian terjatuh. Hal tersebut seperti dinyatakan oleh juru bicara Futabasha Publishing. Ia juga mengatakan bahwa keluarga dan rekan sangat terkejut dengan kejadian tersebut.
Tim dari Kepolisian Shimonita diterjunkan untuk mengevakuasi jenazah pada Minggu sore (20/9). Beratnya medan memaksa tim tersebut untuk mengevakuasi jenazah dengan menggunakan helikopter.Jenazah nahas itu dipastikan sebagai Usui-sensei setelah pihak berwenang mencocokkan susunan gigi dan ciri fisik lain. Kepolisian Shimonita menyatakan Usui-sensei tewas karena paru-parunya gagal bekerja dan luka-luka serius di sekujur tubuhnya setelah jatuh dari ketinggian 120 meter.Foto terakhir yang diabadikan Usui-sensei menjadi petunjuk insiden yang menimpa mangaka kelahiran Shizuoka, 21 April 1958 itu. Hal tersebut terungkap dalam konferensi pers yang diadakan Futabasha, penerbit Crayon Shin-chan, Senin (21/9). Menurut juru bicara Futabasha, foto itu memuat pemandangan dasar jurang yang diambil dari atas tebing. Diperkirakan, Usui-sensei terpeleset dan jatuh.
Pada bulan April silam, kota Kasukabe menjadikan Shinchan sebagai maskot untuk kampanyenya peningkatan kelahiran anak.
penulis komik'crayon shinchan' hilang
Yoshito Usui, penulis komik kartun Jepang (manga) populer, 'Crayon Shin-chan', diberitakan hilang. Kepolisian Saitama membenarkan kabar tersebut. Mereka sudah menerima laporan kehilangan dari keluarga Usui pekan lalu.
Seperti dikutip dari laman harian The Mainichi Daily News, Rabu 16 September 2009, pria berusia 51 tahun tersebut meninggalkan rumahnya di Kasukabe, Jumat pagi, 11 September 2009.
Saat itu, dia mengatakan ingin mendaki gunung di Perfektur Gunma. Namun, hingga sore hari Usui tidak kembali ke rumah.
Sehari berikutnya, istri Usui melaporkan hilangnya Usui ke kepolisian Saitama. Telepon seluler Usui berhasil tersambung, tetapi tidak ada respons.
Menurut keluarga, penulis manga tersebut sering mendaki gunung. Kepolisian Saitama sudah meminta bantuan dari kepolisian Perfektur Gunma dan Nagano untuk melakukan pencarian.
Komik 'Crayon Shin-chan', yang dimuat sebagai sebuah serial 'Manga Town' dan diterbitkan oleh Futabasha merupakan karya Usui yang paling terkenal.
Karakter utama dalam komik tersebut adalah Shinnosuke Nohara, anak TK yang tinggal di Kasukabe. Komik tersebut juga dibuat dalam versi animasi untuk televisi dan film.
Pada 5 September 2009, film "Ballad Namonaki Koi no Uta" yang dibuat berdasarkan film animasi "Crayon Shin-chan" mulai ditayangkan bioskop-bioskop di seluruh Jepang.(Vivanews)
Rabu, 14 April 2010
tsubasa
: CAPTAIN TSUBASA ::
Tsubasa adalah seorang anak SD yang baru saja pindah dari kota lain ke Nankatsu. Dia ingin bermain sepak bola dan menjadi pemain terbaik. Ketika masuk ke sekolah barunya, dia langsung masuk ke klub sepak bola di sekolah itu. Kapten klub itu adalah Ishizaki. Mereka lalu berlatih di lapangan, tetapi diganggu oleh klub lain yang dipimpin oleh Genzo Wakabayashi. Mereka lalu bertanding, bila Nankatsu bisa membuat gol satu saja, maka mereka diizinkan memakai lapangan untuk berlatih. Awalnya, Nankatsu selalu kebobolan dan bermain setengah lapangan. Ketika salah satu pemainnya cidera, Tsubasa didaulat menjadi bek.
Dia menjalankan tugasnya dengan baik. Ketika pertandingan hampir selesai, tanpa diduga Tsubasa berhasil mendapatkan bola dan menceploskannya ke dalam gawang. Sesuai perjanjian, Wakabayashi tidak akan mengganggu mereka lagi. Maka dimulailah petualangan Tsubasa menjadi yang terbaik di dunia.
:: Tokoh Utama ::
Tsubasa Ozora
Tsubasa adalah anak seorang kapten kapal. Ayahnya selalu berlayar di lautan. Dia sangat menggemari sepak bola. Bahkan sejak masih balita, dia sudah menunj ukkan ketertarikannya di bidang ini. Dia masuk ke Nankatsu dan menjadi pemain yang sangat bisa dihand alkan. Pertemuannya dengan Roberto Hongo merubah seluruh hidupnya. Setelah remaja, dia pergi ke Brazil untuk menjadi pemain di klub Santos. Kemampuan sepak bolanya sangat hebat dan termasuk yang terbaik di dunia. Tsubasa memiliki kemampuan untuk membaca dan meniru semua teknik musuhnya.
Genzo Wakabayashi
Wakabayashi adalah seorang kiper yang berteknik tinggi. Jika Tsubasa adalah andalan playmaker di tim Jepang, maka Wakabayashi adalah andalan belakang tim. Dia sangat akrab dengan Tsubasa. Kemampuannya membuatnya direkrut oleh klub Jerman dan bermain di Bundesliga. Dia terkenal dengan kemampuannya untuk memblok semua tendangan dari luar kotak penalti. Dia adalah rival dari Wakashimazu yang menggunakan gaya akrobatik. Dia sempat berlatih tinju untuk memperkuat blocking-nya.
Kojiro Hyuga
Kojiro adalah rival Tsubasa semasa turnamen antar sekolah. Dia adalah striker andalan untuk mendobrak dan mengacak-acak pertahanan musuh. Tendangannya yang keras disebut Tiger Shot, berbeda dari Drive Shoot Tsubasa yang memanfaatkan tukikan, tendangan Hyuga menyerang gawang secara frontal. Dia sukses menjadi pesepak bola profesional dan membawa keluarganya dari kemiskinan. Dia bermain di Serie-A Italia. Belakangan, dia memiliki tendangan Raiju, yang bahkan membelah pohon besar menjadi dua.
Kamis, 08 April 2010
Kamis, 25 Maret 2010
Senin, 22 Maret 2010
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